{"id":16,"date":"2015-09-10T14:45:36","date_gmt":"2015-09-10T18:45:36","guid":{"rendered":"http:\/\/maribe.ca\/en\/?page_id=16"},"modified":"2023-03-14T11:47:33","modified_gmt":"2023-03-14T15:47:33","slug":"la-compagnie","status":"publish","type":"page","link":"https:\/\/maribe.ca\/en\/la-compagnie\/","title":{"rendered":"The company"},"content":{"rendered":"\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color\"\/>\n\n\n\n<p style=\"font-size:29px\"><strong>MANDATES AND VALUES<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color\"\/>\n\n\n\n<p style=\"font-size:17px;font-style:normal;font-weight:400\">Since 2005, MARIB\u00c9 \u2013 SORS DE CE CORPS has as its mandate the creation and circulation of the projects designed by Marie B\u00e9land. It conveys the following values:<\/p>\n\n\n\n<p style=\"font-size:17px;font-style:normal;font-weight:400\"><strong>\u2022<\/strong> <strong>Sustainability:<\/strong> in response to burnout and precariousness, support over time the artists and collaborators who work in the organization: be faithful to the teams, honor the invisible work, get out of the imperatives of novelty, extend the life of the works (reassembly\/recreations, satellite projects, etc.), have a long-term vision.<\/p>\n\n\n\n<p style=\"font-size:17px\"><strong>\u2022<\/strong> <strong>Uncompromising accessibility:<\/strong> how can the artistic approach reach the spectators, while valuing the intellectual and conceptual complexity at the heart of the approach? To work around the works to accompany the spectators.<\/p>\n\n\n\n<p style=\"font-size:17px\"><strong>\u2022<\/strong> <strong>Feminism:<\/strong> establish a board of directors based on sorority. Recognize, participate in the empowerment and the fulfillment of women in the company.<\/p>\n\n\n\n<p style=\"font-size:17px\"><strong>\u2022<\/strong> <strong>Spirit of collaboration and friendship:<\/strong> Establish healthy conditions and respect for all. Marie seeks a friendly context to facilitate collaboration with interpreters, collaborators, etc. She uses time to develop and cherish professional friendships.<\/p>\n\n\n\n<p style=\"font-size:17px\"><strong>\u2022<\/strong> <strong>Mutualisation:<\/strong> fostering consistent sharing of hearts, which are not just responses to a state of crisis. Make the mutualisation of resources an environmental issue, not a financial response. Recognize and value sharing as a mechanism that generates few savings, but mutual aid and an understanding of the realities of each.<\/p>\n\n\n\n<p style=\"font-size:17px\"><strong>\u2022<\/strong> <strong>Healthy responsibility:<\/strong> consider eco-responsibility, reconciliation with First Nations and supporting minorities one step at a time, ensuring resources are in place, and avoiding tokenism or generating guilt and anxiety.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color\"\/>\n\n\n\n<p class=\"has-text-align-center\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/y6reNA0A_Ek\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color\"\/>\n\n\n\n<p style=\"font-size:29px\"><strong>ARTISTIC APPROACH<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color\"\/>\n\n\n\n<p style=\"font-size:17px\">The company bases its activities on creations that explore how our bodies transform themselves in contact with the stage, whether or not they submit to its codes and conventions. Through a work on presence and performance, Marie B\u00e9land thinks, with the active contribution of the performers, on the impact on the viewer of an image of the body oscillating between the daily body, the \u00abordinary\u00bb movement, and its transformation into a living work of art. Drawing from our different uses of the body and the gestures that make up our daily lives, Marie organizes banal movement to make it danceable and complex. The scene then acts as a revealer of these troubled zones, playing with the true, the false and the plausible. Her creations approach live performance as a social and aesthetic phenomenon, an opportunity to study the transformations that our ordinary bodies undergo in contact with the stage.&nbsp;<\/p>\n\n\n\n<p style=\"font-size:17px\">The stage is used as a platform from which the performers address themselves directly to the spectator. The result are playful works that highlight the codes of representation to better reveal them, but above all that, become a mirror of our social codes and the way in which our relations with the Other are organized. Questioning the being-in-scene becomes a way of inviting the spectator to question his own ways of being on a daily basis. Each work has a finely crafted choreographic score that values the complexity of the content and its purpose. The result is shows that have the power to reach the general public as the most neophytes, often teenagers. In addition, the company has demonstrated local and international outreach through the development of a network of diverse partners: specialized theatres, multidisciplinary, youth broadcasters, festivals, etc.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color\"\/>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color\"\/>\n\n\n\n<p style=\"font-size:29px\"><strong>HISTORIC OF THE COMPANY<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color\"\/>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full\"><a href=\"https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2010\/11\/rx_20.jpg\" rel=\"lightbox-0\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"332\" src=\"https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2010\/11\/rx_20.jpg\" alt=\"rayon x\" class=\"wp-image-1263\" srcset=\"https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2010\/11\/rx_20.jpg 500w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2010\/11\/rx_20-300x199.jpg 300w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2010\/11\/rx_20-287x191.jpg 287w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2010\/11\/rx_20-425x282.jpg 425w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/figure><\/div>\n\n\n\n<p style=\"font-size:17px\">Founded in 2005, the company began its activities with&nbsp;marib\u00e9 \u2013 live in Montr\u00e9al&nbsp;(2005) created following a summer residency at Studio 303, followed by a work for teenagers&nbsp;Twis-manivelle&nbsp;(2005), which was chosen by the newspaper ICI as one of the five best works of the year. Subsequent piece was&nbsp;Dieu ne t\u2019a pas cr\u00e9\u00e9 juste pour danser&nbsp;(2008-2018) which received the prize ARRIMAGES during its tour of the Maisons de la culture of Montr\u00e9al and which was completely revamped in 2018 to be toured again;&nbsp;RAYON X&nbsp;: a true decoy story&nbsp;(2010) co-presented by Tangente and le Festival Les Coups de Th\u00e9\u00e2tre which has been seen on nearly 25 times in Qu\u00e9bec;&nbsp;BEHIND&nbsp;: une danse dont vous \u00eates le h\u00e9ros&nbsp;(2010) which was performed at Tangente, FTA, at Festival ArtDanTh\u00e9 in Vanves (France) then at Agora de la danse;&nbsp;Vie et mort de l\u2019\u00e9l\u00e9gance&nbsp;(2012) that won the silver medal at the Jeux de la Francophonie 2013 (FR);&nbsp;BLEU \u2013 VERT \u2013 ROUGE&nbsp;(2013), presented at Agora de la danse;&nbsp;R\u00e9v\u00e9lations&nbsp;(2014), first presented in Spain and then at Tangente in Montr\u00e9al in its final version;&nbsp;Persona&nbsp;(2015) created for EDCM graduates and presented in Ivory Coast during the Jeux de la Francophonie 2017, and finally&nbsp;BETWEEN&nbsp;(2015), presented in double bill with&nbsp;BEHIND : une danse dont vous \u00eates le h\u00e9ros&nbsp;at Festival ArtDanTh\u00e9 (FR), at Theatre 140 (BEL) at Agora de la danse and at the Festival Sounded Bodies in Zagreb (CRO). Marie finalizes BESIDE in 2019 which closes the B+B+B trilogy, still in partnership with Montr\u00e9al Danse, and which has been presented in France, England and Canada. In 2021, she works on an interactive digital installation related to BESIDE, and launches Season 1 of the podcast D\u00e9placements sonores, a sound work for and through dance made in tandem with Anne Th\u00e9riault. Since her beginnings, she has carried out several residencies in Quebec and abroad (La Rotonde Qu\u00e9bec, TanzWerkstatt Berlin, La Caldera Barcelone, Dance 4 center for choreography Nottingham, Cardiff Dance Festival, Centro per la Scena Comtemporanea Bassano del Grappa).<\/p>\n\n\n\n<p style=\"font-size:17px\">Marie B\u00e9land and MARIB\u00c9 \u2013 SORS DE CE CORPS receives recurrent and\/or punctual support from the three Conseil of the Arts for the research, production, diffusion and tour. Several times, the organization has benefited from residency support from the dance milieu, whether from Agora de la danse, Place des Arts, the Maisons de la culture of Montr\u00e9al, the FLAK company or the dance department at UQ\u00c0M. The company is invested in resource sharing by being a member of Circuit-Est centre chor\u00e9graphique since 2009 and of Art Circulation since 2013. Highlight: in 2015 the company launches its brand new visual including a new signature and a new website.<\/p>\n\n\n\n<ul class=\"wp-block-social-links has-large-icon-size has-icon-color has-icon-background-color is-style-default is-content-justification-center is-layout-flex wp-container-core-social-links-is-layout-5590e8cb wp-block-social-links-is-layout-flex\"><li style=\"color:#0097cd;background-color:#ffffff;\" class=\"wp-social-link wp-social-link-facebook has-white-background-color wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.facebook.com\/maribesorsdececorps\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Facebook<\/span><\/a><\/li>\n\n<li style=\"color:#0097cd;background-color:#ffffff;\" class=\"wp-social-link wp-social-link-instagram has-white-background-color wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.instagram.com\/maribesorsdececorps\/\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12,4.622c2.403,0,2.688,0.009,3.637,0.052c0.877,0.04,1.354,0.187,1.671,0.31c0.42,0.163,0.72,0.358,1.035,0.673 c0.315,0.315,0.51,0.615,0.673,1.035c0.123,0.317,0.27,0.794,0.31,1.671c0.043,0.949,0.052,1.234,0.052,3.637 s-0.009,2.688-0.052,3.637c-0.04,0.877-0.187,1.354-0.31,1.671c-0.163,0.42-0.358,0.72-0.673,1.035 c-0.315,0.315-0.615,0.51-1.035,0.673c-0.317,0.123-0.794,0.27-1.671,0.31c-0.949,0.043-1.233,0.052-3.637,0.052 s-2.688-0.009-3.637-0.052c-0.877-0.04-1.354-0.187-1.671-0.31c-0.42-0.163-0.72-0.358-1.035-0.673 c-0.315-0.315-0.51-0.615-0.673-1.035c-0.123-0.317-0.27-0.794-0.31-1.671C4.631,14.688,4.622,14.403,4.622,12 s0.009-2.688,0.052-3.637c0.04-0.877,0.187-1.354,0.31-1.671c0.163-0.42,0.358-0.72,0.673-1.035 c0.315-0.315,0.615-0.51,1.035-0.673c0.317-0.123,0.794-0.27,1.671-0.31C9.312,4.631,9.597,4.622,12,4.622 M12,3 C9.556,3,9.249,3.01,8.289,3.054C7.331,3.098,6.677,3.25,6.105,3.472C5.513,3.702,5.011,4.01,4.511,4.511 c-0.5,0.5-0.808,1.002-1.038,1.594C3.25,6.677,3.098,7.331,3.054,8.289C3.01,9.249,3,9.556,3,12c0,2.444,0.01,2.751,0.054,3.711 c0.044,0.958,0.196,1.612,0.418,2.185c0.23,0.592,0.538,1.094,1.038,1.594c0.5,0.5,1.002,0.808,1.594,1.038 c0.572,0.222,1.227,0.375,2.185,0.418C9.249,20.99,9.556,21,12,21s2.751-0.01,3.711-0.054c0.958-0.044,1.612-0.196,2.185-0.418 c0.592-0.23,1.094-0.538,1.594-1.038c0.5-0.5,0.808-1.002,1.038-1.594c0.222-0.572,0.375-1.227,0.418-2.185 C20.99,14.751,21,14.444,21,12s-0.01-2.751-0.054-3.711c-0.044-0.958-0.196-1.612-0.418-2.185c-0.23-0.592-0.538-1.094-1.038-1.594 c-0.5-0.5-1.002-0.808-1.594-1.038c-0.572-0.222-1.227-0.375-2.185-0.418C14.751,3.01,14.444,3,12,3L12,3z M12,7.378 c-2.552,0-4.622,2.069-4.622,4.622S9.448,16.622,12,16.622s4.622-2.069,4.622-4.622S14.552,7.378,12,7.378z M12,15 c-1.657,0-3-1.343-3-3s1.343-3,3-3s3,1.343,3,3S13.657,15,12,15z M16.804,6.116c-0.596,0-1.08,0.484-1.08,1.08 s0.484,1.08,1.08,1.08c0.596,0,1.08-0.484,1.08-1.08S17.401,6.116,16.804,6.116z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Instagram<\/span><\/a><\/li>\n\n<li style=\"color:#0097cd;background-color:#ffffff;\" class=\"wp-social-link wp-social-link-youtube has-white-background-color wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" 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wp-social-link-tiktok has-white-background-color wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.tiktok.com\/@maribe_sorsdececorps\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 32 32\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M16.708 0.027c1.745-0.027 3.48-0.011 5.213-0.027 0.105 2.041 0.839 4.12 2.333 5.563 1.491 1.479 3.6 2.156 5.652 2.385v5.369c-1.923-0.063-3.855-0.463-5.6-1.291-0.76-0.344-1.468-0.787-2.161-1.24-0.009 3.896 0.016 7.787-0.025 11.667-0.104 1.864-0.719 3.719-1.803 5.255-1.744 2.557-4.771 4.224-7.88 4.276-1.907 0.109-3.812-0.411-5.437-1.369-2.693-1.588-4.588-4.495-4.864-7.615-0.032-0.667-0.043-1.333-0.016-1.984 0.24-2.537 1.495-4.964 3.443-6.615 2.208-1.923 5.301-2.839 8.197-2.297 0.027 1.975-0.052 3.948-0.052 5.923-1.323-0.428-2.869-0.308-4.025 0.495-0.844 0.547-1.485 1.385-1.819 2.333-0.276 0.676-0.197 1.427-0.181 2.145 0.317 2.188 2.421 4.027 4.667 3.828 1.489-0.016 2.916-0.88 3.692-2.145 0.251-0.443 0.532-0.896 0.547-1.417 0.131-2.385 0.079-4.76 0.095-7.145 0.011-5.375-0.016-10.735 0.025-16.093z\" \/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">TikTok<\/span><\/a><\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color\"\/>\n\n\n\n<p style=\"font-size:29px\"><strong>AWARDS AND DISTINCTIONS<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color\"\/>\n\n\n\n<p><strong>Marie B\u00e9land<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">New conversations, artistic exchange with the UK (British Council &amp; High Commissioner of Canada 2019)<br>Obtention of the residency Duetto a tre voci (Circuit-Est and Centro per la Scena Contemporanea Bassano del Grappa, 2018)<br>Selected artist for the national team of Jeux de la Francophonie (CALQ, 2017)<br>Obtention of the residency BCN_MTL (Circuit-est and La Caldera Barcelone, 2012)<br>Obtention of the residency in Berlin for emerging choreographers (CALQ and TanzWerkstatt Berlin, 2010)<br>Fellow of the Fondation du Maire de Montr\u00e9al for the Youth (2005)<br>Twice fellow of Young Volunteers program (2004 et 2008)<br>Obtention of the \u201cEmerging artists residency\u201d (Studio 303, 2005)<br>Fellow of Baccalaur\u00e9at en danse at UQ\u00c0M (bourse d\u2019excellence William Douglas, 2003)<\/p>\n\n\n\n<p><strong>marib\u00e9 \u2013 sors de ce corps<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\"><em>BESIDE<\/em> pitch to Spotlight Canada at the Fringe in Edinburgh, Canada\u2019s High Commissioner to the UK 2022<br><em>BESIDE<\/em>&nbsp;: showcase at Focus QC 2021<br><em>Dieu ne t\u2019a pas cr\u00e9\u00e9 juste pour danser&nbsp;:&nbsp;<\/em>Showcase at RIDEAU 2019<br>Supported by re-creation residency program of the Conseil des Arts de Montr\u00e9al (2017-2018)<br><em>Vie et mort de l\u2019\u00e9l\u00e9gance :&nbsp;<\/em>Silver medal at Jeux de la Francophonie (Nice, France, 2013)<br><em>RAYON X&nbsp;: a true decoy story :&nbsp;<\/em>Selected show for Entr\u00e9es en sc\u00e8ne Loto-Qu\u00e9bec and showcase at RIDEAU 2012<br>Supported by the Cultural action program of Cirque du Soleil (2007, 2009 and 2012)<br><em>Dieu ne t\u2019a pas cr\u00e9\u00e9 juste pour danser&nbsp;:&nbsp;<\/em>ARRIMAGES 2010 award \u2013 Jeune Chambre de Commerce of Montr\u00e9al<br>Supported by the&nbsp;<em>Libres comme l\u2019art<\/em>&nbsp;program of the Conseil des arts de Montr\u00e9al (2009)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color\"\/>\n\n\n\n<p style=\"font-size:29px\"><strong>REPERTOIRE (selection)<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color\"\/>\n\n\n\n<p><strong><em>BESIDE <\/em>\u2013 60 to 70 minutes<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">2022&nbsp;: 5 representations, Maisons de la culture Montr\u00e9al, in tandem with RADIOMATON<br>2019&nbsp;: 1 representation, Th\u00e9\u00e2tre Panop\u00e9e, Biennale de danse du Val-de-Marne &amp; Festival ArtDanTh\u00e9, Vanves, FR<br>1 representation, Lakeside Arts, Nottdance Festival, UK<br>4 representations, La Chapelle Arts Contemporains<br>1 representation, Universit\u00e9 Lumi\u00e8re Lyon 2, Dance contre la violence, Lyon FR<br>1 representation, Maison de la culture du Plateau Mont-Royal<\/p>\n\n\n\n<p><strong><em>RADIOMATON<\/em> (co-cr\u00e9ation with Simon Laroche)<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">2022&nbsp;: 4 exhibition venues (24 days), Maisons de la culture de Montr\u00e9al, in tandem with BESIDE<\/p>\n\n\n\n<p><strong><em>D\u00e9placements sonores<\/em> (co-cr\u00e9ation with Anne Th\u00e9riault)<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">2022&nbsp;: Season 2 (4 episodes), Th\u00e9\u00e2tre Alphonse Desjardins, P\u00f4le territoire danse, CONTACT(s) r\u00e9sidence d\u2019artistes, La petite Place des arts, Centre de Cr\u00e9ation Diffusion de Gasp\u00e9, La Rotonde de Qu\u00e9bec<br>2021&nbsp;: Season 1 (4 episodes), Hosted and distributed by Usine C, episode 1 launches at Festival Actoral<\/p>\n\n\n\n<p><strong><em>Les Pr\u00e9c\u00e9dents<\/em>, <strong>an architectural and choreographic project<\/strong> \u2013 45 minutes to 2 hours<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\"><em>In situ <\/em>creation commissioned by the Th\u00e9\u00e2tre de Verdure<br>2022: 1 representations, Rosemont-La-Petite-Patrie, Festival des Arts de Ruelle<br>2021: 2 representations, M-H-Maisonneuve, L\u2019\u00e9cole et les arts<br>2021: 3 representations, Anjou, R-D-P, Verdun, Quand l\u2019art prend l\u2019air CAM<br>2020: 1 representation, Faubourg Boisbriand, Odysc\u00e8ne, Ville de Boisbriand<br>2012: 1 representation, Parc Armand-Bombardier, Maison de la culture P-A-T<br>2008: 20 representations, Esplanade Place des Arts, as part of <em>The Art (prononcez dehors) II<\/em><br>2008-09&nbsp;: 21 representations, Parc Lafontaine, in the serie <em>Mouvement de foule<\/em><\/p>\n\n\n\n<p><strong><em>Dieu ne t\u2019a pas cr\u00e9\u00e9 juste pour danser<\/em> (recreation)<em> <\/em>\u2013 75 minutes<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">2019&nbsp;: 3 representations, Th\u00e9\u00e2tre Gilles-Vigneault St-J\u00e9r\u00f4me, Th\u00e9\u00e2tre du Vieux-Terrebonne, Salle Claude, Potvin Laval<br>2018&nbsp;: 7 representations, Maisons de la culture Montr\u00e9al, CAM en tourn\u00e9e<\/p>\n\n\n\n<p><strong><em>Dieu ne t\u2019a pas cr\u00e9\u00e9 juste pour danser<\/em> (1st version)<em> <\/em>\u2013 75 minutes<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">2011&nbsp;: 1 representation, studio Peter-Boneham as part of OFF-CINARS (ouvert au public)<br>2010&nbsp;: 6 representations, Maisons de la culture Montr\u00e9al, CAM en tourn\u00e9e<br>2009&nbsp;: 2 representations, Th\u00e9\u00e2tre d\u2019Aujourd\u2019hui, Festival OFF.T.A.<br>2009&nbsp;: 1 representation, Salle Claude-Potvin, Laval, \u00c9cole secondaire Cur\u00e9-Antoine Labelle<br>2008&nbsp;: 4 representations, Espace Tangente, soir\u00e9e compl\u00e8te dans la s\u00e9rie <em>\u00catres Humains<\/em><\/p>\n\n\n\n<p><strong><em>BETWEEN <\/em>\u2013 45 minutes<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">2019&nbsp;: 1 representation, Maison de la culture Marie-Uguay<br>2017&nbsp;: 2 representations, Odysc\u00e8ne Sainte-Th\u00e9r\u00e8se, Cabaret BMO<br>2016&nbsp;: 2 representations, Zagreb Dance Center, Festival Sounded Bodies, CRO<br>2016&nbsp;: 3 representations, Agora de la danse<br>2015&nbsp;: 2 repr\u00e9sentations, Th\u00e9\u00e2tre 140, Bruxelles, BEL<br>2015 : 1 repr\u00e9sentation, Th\u00e9\u00e2tre Panop\u00e9e, Festival ArtDanTh\u00e9, Vanves, FR<\/p>\n\n\n\n<p><strong><em>De et avec\u2026<\/em> &#8211; variable (co-cr\u00e9ation with Anne Th\u00e9riault)<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">2019&nbsp;: 2 representations,&nbsp;maison de la culture du Plateau Mont-Royal<\/p>\n\n\n\n<p><strong><em>Vie et mort de l\u2019\u00e9l\u00e9gance<\/em> \u2013 25 minutes<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">Commissioned for the graduates of EDCMTL<br>2019&nbsp;: 4 representations, Th\u00e9\u00e2tre orange \/ Tangente<br>2014&nbsp;: 2 representations, Espace George-\u00c9mile-Lapalme, Programmation de l\u2019Espace culturel de la PDA<br>2013&nbsp;: 2 representations, Th\u00e9\u00e2tre National de Nice, FR, M\u00e9daille d\u2019argent aux VII<sup>e<\/sup> Jeux de la Francophonie<br>2012&nbsp;: 1 representation, studio Peter-Boneham, as part of OFF-CINARS (open to the public)<br>2012&nbsp;: 3 representations, Maison de la culture Frontenac<\/p>\n\n\n\n<p><strong><em>BEHIND&nbsp;: une danse dont vous \u00eates le h\u00e9ros<\/em> \u2013 30 minutes<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">2016&nbsp;: 3 representations, Agora de la danse<br>2015 : 1 representation, Th\u00e9\u00e2tre Panop\u00e9e, Festival ArtDanTh\u00e9, Vanves, FR<br>2015&nbsp;: 2 representations, Th\u00e9\u00e2tre 140, Bruxelles BEL<br>2012&nbsp;: 1 representation, Th\u00e9\u00e2tre Panop\u00e9e, Festival ArtDanTh\u00e9, Vanves, FR<br>2011&nbsp;: 3 representations, Monument-National, Festival TransAm\u00e9riques<br>2010&nbsp;: 5 representations, Espace Tangente, in the forst part of RAYON X<\/p>\n\n\n\n<p><strong><em>Persona <\/em>\u2013 20 minutes<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">Commissioned for the graduates of &nbsp;EDCMTL<br>2017&nbsp;: 1 representation, salle Kodjo \u00c9boucl\u00e9, 8<sup>e<\/sup> Jeux Franco. Abidjan, C\u00f4te d\u2019Ivoire &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br>2015&nbsp;: 4 representations, Th\u00e9\u00e2tre rouge du Conservatoire d\u2019art dramatique<\/p>\n\n\n\n<p><strong><em>R\u00e9v\u00e9lations <\/em>\u2013 45 minutes<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">2014&nbsp;: 4 representations, Tangente \/ Monument-National<br>2012&nbsp;: 3 representations, La Caldera, Festival The Greek, Barcelone, ES<\/p>\n\n\n\n<p><strong><em>Figures de silence <\/em>\u2013 35 minutes<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">Commissioned for the FLY project of EDCMTL<br>2015&nbsp;: 4 representations, Maisons de la culture de Montr\u00e9al<br>2015&nbsp;: 2 representations, En Sc\u00e8ne Saint-J\u00e9r\u00f4me, Salle Anthony-Lessard<br>2013&nbsp;: 2 representations, Studio of EDCMTL<br>2013&nbsp;: 3 representations, Espace La Ris\u00e9e, Rendez-vous Dell\u2019arte<\/p>\n\n\n\n<p><strong><em>BLEU \u2013 VERT \u2013 ROUGE<\/em> \u2013 65 minutes<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">2013&nbsp;: 4 representations, Agora de la danse<\/p>\n\n\n\n<p><strong><em>RAYON X&nbsp;: a true decoy story<\/em> \u2013 65 minutes<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">2013-14: 12 representations on tour in Qu\u00e9bec (East of Qu\u00e9bec + Abitibi + Montr\u00e9al)<br>2012:1 representation, salle Sylvain-Lelievre, showcase open to the public at RIDEAU<br>2010: 10 representations, Espace Tangente, Co-presented by Festival Les Coups de Th\u00e9\u00e2tre<\/p>\n\n\n\n<p><strong><em>As you can see<\/em>, <strong>show for teenage audience<\/strong> \u2013 25 minutes<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">Commissioned by the Toronto-based company <em>TILT Sound + Motion<\/em>&nbsp;<br>2007 : 3 representations, Winchester Street Theatre (Toronto)<\/p>\n\n\n\n<p><strong><em>Esp<\/em>ace <em>Vert <\/em>\u2013 15 minutes<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">Stage version and <em>in situ<\/em> version<br>2006 to 2008&nbsp;: 27 representations, Maisons de la culture and public spaces in Montr\u00e9al<\/p>\n\n\n\n<p><strong><em>Twis-manivelle<\/em>, <strong><strong>show for teenage audience<\/strong><\/strong> \u2013 45 minutes<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">2005 to 2008&nbsp;: 31 representations, Maisons de la culture (<em>CAM en tourn\u00e9e<\/em>), <em>Vue sur la rel\u00e8ve<\/em> 12<sup>e<\/sup> \u00e9dition, Tangente, etc.<\/p>\n\n\n\n<p><strong><em>marib\u00e9 \u2013 live in Montr\u00e9al<\/em> \u2013 40 minutes<\/strong><\/p>\n\n\n\n<p style=\"font-size:15px\">2005&nbsp;: 4 representations, Studio 303, in the serie Vernissage-Danse\/R\u00e9sidence d\u2019\u00e9t\u00e9<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color\"\/>\n\n\n\n<p style=\"font-size:29px\"><strong>PARTNERS<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"85\" src=\"https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_conseil_2022-1024x85.png\" alt=\"\" class=\"wp-image-5879\" srcset=\"https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_conseil_2022-1024x85.png 1024w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_conseil_2022-300x25.png 300w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_conseil_2022-768x64.png 768w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_conseil_2022-287x24.png 287w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_conseil_2022-1000x83.png 1000w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_conseil_2022-425x35.png 425w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_conseil_2022-650x54.png 650w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_conseil_2022.png 1194w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"85\" src=\"https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_ce_ac_2022-1024x85.png\" alt=\"\" class=\"wp-image-5881\" srcset=\"https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_ce_ac_2022-1024x85.png 1024w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_ce_ac_2022-300x25.png 300w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_ce_ac_2022-768x64.png 768w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_ce_ac_2022-287x24.png 287w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_ce_ac_2022-1000x83.png 1000w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_ce_ac_2022-425x35.png 425w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_ce_ac_2022-650x54.png 650w, https:\/\/maribe.ca\/28nDx1ye\/wp-content\/uploads\/2022\/11\/bandeau_partenaires_ce_ac_2022.png 1194w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color\"\/>\n\n\n\n<p class=\"has-white-color has-text-color has-background\" style=\"background-color:#00a5e1;font-size:17px\"><span style=\"color: #00ccff;\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\"><em>Nous reconnaissons que la terre sur laquelle nous nous trouvons est situ\u00e9e en territoire autochtone, lequel n\u2019a jamais \u00e9t\u00e9 c\u00e9d\u00e9. Nous reconnaissons la nation Kanien\u2019keh\u00e1: ka comme gardienne des terres et des eaux. Tiohti\u00e1: ke \/ Montr\u00e9al est historiquement connu comme un lieu de rassemblement pour de nombreuses Premi\u00e8res Nations, et aujourd\u2019hui, une population autochtone diversifi\u00e9e, ainsi que d\u2019autres peuples, y r\u00e9sident. C\u2019est dans le respect des liens avec le pass\u00e9, le pr\u00e9sent et l\u2019avenir que nous reconnaissons les relations continues entre les Peuples Autochtones et autres personnes de la communaut\u00e9 montr\u00e9alaise.<\/em><\/mark><\/span><\/p>\n\n\n\n<div class=\"wp-block-columns is-not-stacked-on-mobile is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>MANDATES AND VALUES Since 2005, MARIB\u00c9 \u2013 SORS DE CE CORPS has as its mandate the creation and circulation of the projects designed by Marie B\u00e9land. It conveys the following values: \u2022 Sustainability: in response to burnout and precariousness, support over time the artists and collaborators who work in the organization: be faithful to the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1028,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.4 - aioseo.com -->\n\t<meta name=\"description\" content=\"MANDATES AND VALUES Since 2005, MARIB\u00c9 \u2013 SORS DE CE CORPS has as its mandate the creation and circulation of the projects designed by Marie B\u00e9land. 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